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Writer Alan Grant has stated, "The Batman I wrote for 13 years isn't gay. The Comics Bulletin website posed the question "Is Batman Gay?" to their staff and various comic book professionals.
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Tilley stating that he "manipulated, overstated, compromised and fabricated evidence" Īndy Medhurst wrote in his 1991 essay Batman, Deviance, and Camp that Batman is interesting to gay audiences because "he was one of the first fictional characters to be attacked on the grounds of his presumed homosexuality," " the 1960s TV series remains a touchstone of camp," and " merits analysis as a notably successful construction of masculinity." Views within the industry Wertham's work is now often criticized, with one review of his work by Carol L.
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In Seduction of the Innocent, Fredric Wertham claimed, "The Batman type of story may stimulate children to homosexual fantasies, of the nature of which they may be unconscious" and "Only someone ignorant of the fundamentals of psychiatry and of the psychopathology of sex can fail to realize a subtle atmosphere of homoeroticism which pervades the adventures of the mature 'Batman' and his young friend Robin." This book was issued in the context of the " lavender scare" where authorities regarded homosexuality as a security risk. This style awoke contemporary and later associations with gay culture. The early Golden Age Batman stories were dark and violent, but during the late 1940s and the early 1950s they changed to a softer, friendlier and more exotic style that was considered campy.
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No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point.
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I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. Jackson & an equally clichéd turn from Marton Csokas. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L. All are staples of the franchise, and Xander Cage's first film outing is no different. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. Essentially, this is just another Fast & Furious movie. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear. Or, at least the dialogue coming out of their mouths is awful.īut does a film like this really need to have great dialogue? I guess not. The humor is there, but in no way do I believe it's intentionally funny. xXx certainly has fun action, but that's about it. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. What's not to like about it? Heck, even the horribly awful things are entertaining.īack when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx. If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into.